Minuit Machine

French darkwave synth pop band Minuit Machine contributed a new song to the "RainboWarriors Vol 1" compilation from WARRIORECORDS.  The comp is full of likeminded synth and electronic artists and veers towards the queer and inclusive.  Check out "Love Bomber" below and get the comp LP here.

Friday Horror Trailer - Breeders

Daily Jam - September

Try as I might, I just can’t seem to get anyone to jump on the Cranes bandwagon with me. And that’s a damn shame, because the British shoegaze band churned out a whole mess of stellar pop during their early/mid '90s heyday. Most complaints are generally lodged against the vocal stylings of Alison Shaw, a kind of childlike, high-pitched coo. I’ll admit, it’s a lot to take in at first. But repeated listening yields great reward. She sounds like no one else. Her voice fascinates me.

Just listen to “September” from 1994’s Shining Road EP. It plays like some Gothic version of dreampop. A gentle, sad, and wistful guitar melody sweeps by like a chilling breeze accompanied by Shaw’s otherworldly voice, the last vestiges of a solemn child’s ghost weeping hymns from some ethereal place. It’s haunting, and it’s mournful, and in the pit of some self-inflicted despair, it might just be everything.

Okay, maybe that’s a little heavy handed, but “September” is an absolutely beautiful song, and it definitely makes Cranes worthy of another shot, after dropping any preconceived notions of what a singing voice is supposed to sound like.

Get on the bandwagon with me. Do it.

Listen below, our Daily Jam.

Overmono & The Streets

I haven't thought about British rapper The Streets in a long time.  He's still out there rapping, i just haven't been paying attention.  At any rate, UK electronic duo Overmono have seen fit to remix a track off The Streets 2002 debut "Original Pirate Material" with their awesome mix of "Turn the Page."  I imagine this one goes nuts in the clubs.  Give it a listen below and pre-order the 12" single here from XL Recordings.

Amery

Moving on a synth pop groove this morning, this time around with some dreamy and warbled pop from Montreal's Amery.  New album "Continue As Amery" is out in May.  Take a listen first single "Mountain FM" below and pre-order the LP here from Night School.

Male Tears

California duo Male Tears make fun and dancey synth pop that harkens back to the glory days of the '80s.  New album "Paradisco" is out this summer.  Pre-order it here from the band and listen to "Sex on Drugs" below.

Bill Baird

Texas artist and former Sound Team member Bill Baird dropped two new albums on us this month, the instrumental and ambient-tinged "Soundtrack" and the synth psych pop sounds of "Astral Suitcase."  Both are definitely worth your time, but for the moment, listen to the dreamy, spacey "Couch Olympics" below and get both LP's here from the artist.

Previous Industries

Previous Industries is the Chicago born, LA based trio of Open Mike Eagle, Video Dave, and STILL RIFT, three rappers combining their talents to make something truly weird with the aid of a slew of different producers including Kenny Segal among others.  Debut album "Service Merchandise" plays like a fractured eulogy to derelict, abandoned malls and the decline of the west.  Dig on "Pliers" below and pre-order the LP here from Merge Records.

Daily Jam - Tommib

This column was originally published in 2017.

I guess it was always the more cinematic stuff that moved me. Traversing through the head rattling, bone shaking neon wasteland that is the popular modern electronic music scene, anonymity via ridiculous headwear running concurrently with a hyper-presence in social media spaces, I find myself lost and confused among the dayglo revelers and teenage promoters for hire. Was it always like this? Huddled masses yearning for the bass to drop? Bleached kids high on synthetic, designer drugs strewn across fields and parking lots across the world, drowning in their own vomit? EDM, of mice and marshmallows and robots, shaking all their bits for mainstream dollars and notoriety?

It’s not my scene man. But I love electronic music. And I love dance music. I just hate the generic end game we’ve stumbled upon, favoring the darker, more secluded bastions of underground electronic composition. I dig on the outliers. I nod to the past. And there’s that soft, sweet spot for IDM, as pretentious a descriptor as there ever was, that I come of age listening to.

Intelligent. Dance. Music.

Even when I was 18, I knew the term was insufferable, and now, two decades later, its eye rolling ambivalence is enough to cause brain spasms, a twitchy kind of nostalgia for how fucking lame we all used to be…still are. But it was still kind of apt. The music wasn’t populist ass shaking groove or dumb party music. There was a lot of math involved. And strange, discordant rhythms, faraway and exotic sounds generated by wires and mainframes looped and spliced to hallucinogenic, disorienting wonder. Aphex Twin and Oval and Boards of Canada and Autechre and so many others making sound that you could sometimes dance to, but more often just get lost in. I dug on those beats in the murk, but it was then gentler, more melodic entries or the dramatic, ominous sways of mood that stuck with me.

(Continues to stick with me.)

Squarepusher’s 2001 album Go Plastic is full of all the hallmarks and tropes that defined the IDM scene of the late '90s/early '00s, but it also contains the wonderful “Tommib,” a short piece of beautiful synthesizer that excels because of its brevity. Just over a minute long, the song’s effect works according to your mood, a gorgeous and hopeful new dawn, the soundtrack to opening your eyes as the sun peeks through your window in the morning, or a crestfallen and dreamy wistful haze as you watch your love turn and walk away from you forever. And then it ends before you’re even aware of what’s transpired or how full of life every single moment is.

And so, IDM or EDM or whatever, to me “Tommib” and the beautiful pieces of electronic music that came before, or continue to stream after, don’t really need to be weighed down by written descriptors (even if they do make it a million times easier for writers like me to describe them) or qualifiers. At the end of the day, so much of this music has more in common with traditional classical composition anyway…just for computers instead of brass and wind.

I do love the cinematic.

Anthony Green

Philadelphia artist Anthony Green makes a kind of bedroom grunge, sweet lo-fi fuzz for the masses.  New album "Doom. Spun." is out this summer from Born Losers Records.  Pre-order it here and listen to an ode to Megadeth, "Megadeath," below.